Category: Media Studies

King Kong (1933): An Analysis

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The black-and-white version of King Kong, made in 1933, is a typical Hollywood film.  All aspects of the film have trademark Hollywood elements in them.  The following passages will see an explication of this assertion.

In many ways this is a ground-breaking film.  It set a precedent for all the subsequent thriller/horror/animation films that have been made in Hollywood.  It would not be an exaggeration to state that in all subsequent movies of these genres, traces of King Kong could be found.  Not many people today would be excited at the prospect of viewing this 1933 edition.  The reason being, they have already seen aspects of King Kong in many movies that the novelty completely escapes the mind.  Is this a judgement on the true merit of the film?  The answer is in the negative.  The only proper way in evaluating the . . . Read More

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Two African musical themes and their musical, social and cultural relations.

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One of the predominant themes in African music is the close relationship between music and language. For instance,

“African tone languages, with their inter-syllabic relational pitch structure, manifest a musical aspect that in turn constrains melodic contour. Second, the popular and popularizing phenomenon of talking drums, the idea that drums (and other speech surrogates) “speak” and are understood in the way that one understands spoken language–this phenomenon has at its core a configuration involving music and language. And third, the words that enable song, the poet’s emergent music that is eventually colonized by the composer’s music–these song words raise a host of interesting questions about how language is articulated in song, to what extent song displays autonomous structure, and ways in which meaning is transferred from text to music and vice versa.” . . . Read More

Groucho Marx and the progression from vaudeville to movies, to radio and to television in the history of popular culture.

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The youngest of the Marx Brothers trio, Julius “Groucho” Marx, was also the most popular and versatile of the siblings. Groucho Marx’s place in the American comedy canon is undisputed and he is regarded second only to Charlie Chaplin in terms of his status in the comedian fraternity. While most comedians of his generation were stuck to one particular medium, Groucho was most remarkable for his adaptability and mastery of any new medium of entertainment that would appear at the time. For example, long after his brothers faded into retirement, Groucho was still holding stage in radio and Television. By studying the career of Groucho Marx in detail, much about the history of popular culture could be learned. Marx, having lived and performed in the first half of the twentieth century, bore witness to the advances in the way entertainment will be produced and delivered. Hence, Marx’s progress as a performer is . . . Read More

Reggae does not simply describe an experience, but politicises it through creating symbols for listeners to identify with.

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The most common themes of Reggae music include poverty, politics and Rastafarianism (which is a set of spiritual and cultural beliefs with wide ranging interpretations). Other subjects like love, sex and socializing also find mention in the lyrics although social criticism is the predominant theme. The music is also known for criticism of materialism, political awareness and rebellion against orthodox religious dogma (Clements).

Reggae as a Vehicle of Political Message:

Clancy Eccles was openly supportive of Michael Manley and his People’s National Party (PNP) during the 1970’s. Manley, the ever shrewd politician, understood the power of Reggae to draw voters. So during the run-up to the elections, he arranged concerts where Eccles’ performed politically loaded numbers. The other Reggae groups that were also supportive of Manley were Dennis Brown, the Chosen Few . . . Read More

The Negative Effects of Music Videos on our Youth

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Abstract:

Several studies indicate a correlation between music videos and violent behavior of adolescents. The findings also show a connection between the imagery displayed in the videos and inappropriate sexual attitudes and conduct. The lyrics tend to have a significant corrupting influence on the youth. Particular genres such as hip-hop, gangsta rap and heavy metal are found to be more damaging to youth than the rest. The racial attitudes and interpersonal relations of teenagers can be influenced by the music they watch.

Introduction:

Music Videos have defined contemporary culture the last 50 years. The mass appeal of the art form brings with it both advantages and disadvantages. On the positive side, it inspires, entertains and stimulates, . . . Read More

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How are the terms ‘margin’ and ‘centre’ used to define cultural groups in the Postmodern age?

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There is a widely held consensus that postmodernism is a reaction to modernism and hence concerns itself only with “otherness”, “difference” and “identity”. High modernism is rarely occupied with the experiences of the cultural minorities and nor does it involve critical analyses of their experiences. People in the margin regard the links between their sense of community and postmodernism as very feeble. It is impossible for the group in the margin to consciously associate its discourse with the other dominating group that does not seem keen to associate. Though postmodernism still has the potential to be an effective liberating space for the subjugated, it is seldom used for this end (McGuigan 98).

One key aspect of the visual aesthetic of the black community is that of the body. The notions surrounding black hair and its style provide us a contextual framework for analyzing its relation to . . . Read More

The applicability of the term ‘mass media’ in light of John Thompson’s views on the subject.

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 John Thompson had stated that “messages transmitted by the mass media are received by specific individuals situated in definite social-historical contexts”. He was quite right in asserting that though the media messages are broadcast to a large audience, the messages are ultimately consumed at the level of the individual. The way the message would be treated would depend on their social-historical contexts. For instance, the general level of education of the media audience is a factor that determines their historical context. People in an agrarian society in a third world country will be poorly educated and their ability to grasp media messages would be limited to that extent. On the other hand, an urban audience will have a wider perspective about different aspects of life, which means they are better equipped in understanding and . . . Read More

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Marshall McLuhan And His Ideas

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Marshall McLuhan (1911-1980) was a Canadian philosopher, linguist, literary critic, communications theorist and a professor of English literature. He is the founding father of the field of study now termed “media ecology”.

In Marshall McLuhan’s pioneering work on print culture, The Gutenberg Galaxy: The Making of Typographic Man, he presents the view that communication technology profoundly affects cognitive action and ultimately affects social organization.

For instance, the speed . . . Read More

Movie Review : ‘Bicentennial Man’

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Synopsis: The film is a narration of various events in the life of an android – Andrew Martin (Robin Williams). Though the robot was programmed to perform menial household tasks, it soon starts to show signs of sentience. The Martins take note of this and allow Andrew to express his creativity. They make millions selling Andrew’s works. The story spans 200 years, during which Andrew learns the characteristics of human beings and longs to become one. Parallely, he battles to prevent his creators from terminating him.

Review: Bicentennial Man is an adaptation of a novella by Issac Asimov in the Robot Series. The novel ‘The Positronic Man’ was based on this earlier novella and co-authored by Robert Silverberg. It is directed by Chris Columbus, whose previous projects include the Home Alone series, Step-mom, Dare Devil, Fantastic Four, etc.

Soon after being ported to the Martin household Andrew develops a taste for music. Moreover, he shows curiosity and a . . . Read More