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King Kong (1933): An Analysis

Posted on May 2, 2012May 5, 2012 by JL Admin

References:

J. Snead, Spectatorship and Capture in King Kong: The Guilty Look, Critical Quarterly, 1991.

A. Silverblatt,  Media literacy: Keys to interpreting media messages, – Canadian Journal of Communication, 1996.

C White, King Kong: the building of 1933 New York City International Conference on Computer Graphics and Animation, 2006.

J McGowan-Hartmann, King Kong vs. Rambo: A Cautionary Tale, Nebula, <www.nobleworld.biz>

Grover, R. (Dec 20, 2005). A Hairy Run for King Kong? The remake boasts a hot director and fairly favorable reviews. But its slow start at the box office wasn’t in Universal’s script, Business Week Online, p.NA.

Thomaselli, R., & Stanley, T (Nov 14, 2005). IPod courts sports, Hollywood; Apple wants it all, from ‘King Kong’ clips to football footage, Advertising Age, 76, 46. p.3.

Vaz, Mark Cotta., Living Dangerously: The Adventures of Merian C. Cooper, Creator of King Kong. Library Journal, 130, 11. p.73(1).

DamonYoung, 2007, “Ironic Identities and Earnest Desires: King Kong and the Desire-to-be-looked-at”.

The lesson of King Kong; The film industry., (Dec 10, 2005). The Economist (US), 377, 8456. p.68US.

Keith Breese, King Kong (1933): A review, <http://www.filmcritic.com/misc/emporium.nsf/reviews/King-Kong-(1933)>

Farmelo, G. (March 25, 2000)., Apocalyptic visions. The Lancet, 355, 9209, p.1105.

Stringer, J. (August 1999)., Tracking King Kong: A Hollywood Icon in World Culture, Historical Journal of Film, Radio and Television, 19, 3. p.409(3).

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