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Category: Media Studies

El Topo (Movie): Meaning, Analysis

Posted on September 27, 2019September 27, 2019 by JL Admin

There is a cliché I want to see retired, no made illegal – the cliché of comparing something edgy to something bland by claiming ‘Such-and-such is like (insert bland item here) on acid’. The only exception would have to be El Topo, which really is a ‘Western on acid’. More specifically, this is a spaghetti…

Easy Rider (Movie): Meaning, Analysis

Posted on September 26, 2019September 26, 2019 by JL Admin

Just how cool is Easy Rider?  Apparently we’ve now reached ‘post’ post-modern. There is a commercial running in America where a dull office drone is inserted via computer-generated animation into footage of Peter Fonda on his chopper from Easy Rider. Turns out the 9 to 5’er is just having a daydream aboard a commuter train…

Dr. Strangelove: Summary & Analysis

Posted on September 26, 2019September 26, 2019 by JL Admin

The sheer audacity of attempting a dark comedy about nuclear annihilation at the height of the Cold War and only months after the assassination of President John Kennedy, would have assured Stanley Kubrick cult filmmaker status.  When US General Jack D. Ripper (Sterling Hayden) orders wing attack plan R into operation he sets planes on…

Down By Law (Movie): Summary, Analysis

Posted on September 26, 2019September 26, 2019 by JL Admin

Jim Jarmusch is one of the filmmakers whose entire body of work – Stranger than Paradise (1983), Down by Law (1986), Mystery Train (1989), Night on Earth (1991), Dead Man (1995) and Ghost Dog: The Way of the Samurai (1999) – has garnered a cult following. There is a distinctive ‘Jarmusch style’ running through his…

Donnie Darko: Explained

Posted on September 25, 2019September 25, 2019 by JL Admin

Dark, Darkest, Darko.  Donnie Darko has already garnered a cult following. For over two years it has enjoyed an uninterrupted run in New York City, every Friday and Saturday at midnight at the Pioneer Theater. Even if the film fades from popular consciousness, it still may serve the purposes of illustrating some of the elements…

The Day The Clown Cried (1972): Summary & Analysis

Posted on September 25, 2019September 25, 2019 by JL Admin

What thread connects the varying projects elevated to ‘cult film’ status? There is no single definition to be sure, but you will appreciate the recurrence of exaggerated fascination developed by viewers for a specific film. At times this enormous interest is inversely proportional to the actual size of the audience. In other words: small audience…

Dawn Of The Dead (1978 Movie): Summary & Analysis

Posted on September 25, 2019September 25, 2019 by JL Admin

When there’s no more room in hell, the dead will walk the earth. George Romero’s Night of the Living Dead (1968) is a low-budget classic, there is no disputing that. His second zombie feature Dawn of the Dead , however, is a bigger and more audacious film. Not exactly a sequel, Dawn of the Dead…

A Clockwork Orange – Movie – Explained

Posted on September 17, 2019September 17, 2019 by JL Admin

Alex DeLarge (Malcolm McDowell) is the leader of a quartet of ‘droogs’ in an unspecified English city in the near future. They spend their nights raping, brawling, attacking helpless drunks and breaking into houses.  Fissures develop in the group when two of the four members, Dim (Warren Clarke) and Georgie (James Marcus), express an unwillingness…

Carnival Of Souls (1962): Synopsis, Analysis

Posted on September 17, 2019September 17, 2019 by JL Admin

Hailed as a low budget unintentional horror masterpiece, Carnival of Souls has become the standard for the late 50s, early 60s genre of American horror. Yet, conversely, it also seems to transcend the category entirely. Its deliberate pacing and unorthodox composition elements honestly seem more attuned to the sensibilities of contemporary, French new-wave cinema than…

Brazil (Movie): Summary, Explanation

Posted on September 17, 2019September 17, 2019 by JL Admin

When Kafka wrote The Trial, he set it out of any specific point in history, making it contemporary to all time. Whereas in 1948, when George Orwell wrote 1984, it had a necessarily futuristic element to it. When Terry Gilliam fused both these stories into his intellectually loaded and visually remarkable masterpiece, Brazil, one of…

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