Lines 1–2 One of the most famous poems in Blake’s collection Songs of Innocence and of Experience, “The Lamb” establishes its theme quickly in the first two lines. When the narrator asks the lamb if it knows who created it, it is not calling attention to the biological parents. The narrator specifically asks about the…
Tag: Poetry
Having A Coke With You – Analysis
Frank O’Hara’s love poem “Having a Coke with You,” written to his lover Vincent Warren, takes as its theme the function of aesthetics. Aesthetics is a branch of philosophy that concerns beauty and taste. Questions it attempts to answer include: what makes art, art?; why do we like some kinds of art and not others?;…
Having A Coke With You – Themes
Art and Experience “Having a Coke with You” privileges the flux of experience over the static nature of art. Rather than representing a thing, such as a face or a horse and its rider, O’Hara’s poem attempts to represent the rush of emotion itself. O’Hara captures the breathless quality of experience by launching into the…
Having A Coke With You – Poem Summary
Lines 1–10 The first line of “Having a Coke with You” is a predicate to the title. The speaker lists the reasons why he would rather have a Coke with the person he loves. The list of names in the first line refers to the cities in Spain on O’Hara’s itinerary. The second line refers…
A Grafted Tongue by John Montague – Analysis
In his terse poem “A Grafted Tongue,” Montague presents a series of powerful snapshots of the process by which a colonizing power uses language to cement its control over a subject people. It also shows how this process wrenches apart the entire established order of the dispossessed culture and causes great personal suffering. Like the…
A Grafted Tongue by John Montague – Summary
Stanza 1 The first eight lines of “A Grafted Tongue” are enclosed in parentheses, separating them from the main body of the poem. Line 1, consisting of just one word, “Dumb,” succinctly announces one of the poem’s themes: the inability to communicate through a language that has been forcibly imposed on one’s native tongue. Line…
Filling Station – Poem Analysis
The American poet Mary Kinzie believes that no poem worthy of the art can depend only on a mastery of technique and craft. She claims that aesthetic talent alone cannot define a poem. Instead, she argues that “the aesthetic mission is also a moral one.” Craft, in other words, must be connected to morality insofar…
Filling Station (Poem) – Theme
Beauty and Aesthetics An oil-soaked filling station seems an odd subject for a poem. This scene—“Oh, but it is dirty!”— is a stark contrast to those objects of natural and human beauty, which have traditionally inspired poets and artists. An oil-soaked monkey suit, a dirty dog, and a doily heavy with gray crochet would normally…
Filling Station – Poem Summary
Lines 1–6 The first line of “Filling Station” is an exclamation: “Oh, but it is dirty!” The last line of that stanza also exclaims, in an imperative warning: “Be careful with that match!” Between those lines, this world is described as black and greasy. And that “overall black translucency” is “disturbing,” not because it is…
The Base Stealer – Poem Analysis
Baseball and poetry appear to be made for one another—they both are more entertaining for audiences that have a sly, hypersensitive appreciation of what is going on. Unfortunately, this makes both seem a little boring when compared to other, fast-paced entertainments that are available. The best baseball poetry, like the best pitching, fielding, and baserunning,…