Lyrical Interludes Shakespeare emphasized the romantic, pastoral aspect of As You Like It by including a significant number of songs and poems. In all, five different songs are performed, more than in any other comedy, while the audience hears three poems read aloud, two of Orlando’s—one of which is then parodied by Touchstone—and one of…
Tag: Plays
As You Like It – Pastoral Elements
Traditionally, a pastoral is a poem focusing on shepherds and rustic life; it first appeared as a literary form in the third century C.E. The term itself is derived from pastor, the Latin word for ‘‘shepherd.’’ A pastoral may contain artificial or unnatural elements, such as shepherd characters speaking with courtly eloquence or appearing in…
As You Like It – Themes
Time Time is also contrasted in the court scenes and in the Forest of Arden. At court, time is referred to in specific terms, marked by definite intervals, in most cases in relation to the duke’s threats: he orders Rosalind to leave the court within ten days or she will be executed, and he gives…
Fortune and Nature in As You Like It
Closely allied with the opposition of court life and the Forest of Arden is the dichotomy between fortune and nature. Here, ‘‘fortune’’ represents both material gain—achieved through power, birthright, or possessions—and a force that unpredictably determines events. ‘‘Nature,’’ on the other hand, is both the purifying force of Arden and humanity’s fundamental condition stripped of…
As You Like It as a Pastoral Comedy
Numerous oppositions in As You Like It reveal Shakespeare’s partiality toward the pastoral rustic life of Arden forest to life at court. At Duke Frederick’s court, disorder holds sway. The deterioration of political authority is the most obvious form of disorder, for Duke Frederick has unlawfully seized Duke Senior’s kingdom. This political degeneration is compounded…
As You Like It – Themes
Pastoral Life Numerous oppositions in As You Like It reveal Shakespeare’s partiality toward the pastoral rustic life of Arden forest to life at court. At Duke Frederick’s court, disorder holds sway. The deterioration of political authority is the most obvious form of disorder, for Duke Frederick has unlawfully seized Duke Senior’s kingdom. This political degeneration…
As You Like It – Touchstone
A fool in the service of first Oliver, then Rosalind and Celia, Touchstone is all that his name implies: he acts as a touchstone, testing the qualities of the other characters both at Duke Frederick’s court and in the forest. He also is an apt persona for conveying bits and piece of philosophy to the…
As You Like It – Rosalind
The exiled Duke Senior’s daughter and niece of Duke Frederick, Rosalind is the play’s central character, in that she has both the most lines and brings about much of the play’s resolution. She is downhearted from the beginning, as her father has been away in exile, and only when her heart is ‘‘overthrown’’ (1.2.244) are…
As You Like It – Orlando
The youngest son of Sir Rowland de Boys, Orlando serves as the play’s romantic male hero, eventually marrying Rosalind. Orlando’s appearances in the first act well establish his moral virtue, as he craves only ‘‘such exercises as may become a gentleman’’ (1.1.69–70), including a good education, while Oliver, the eldest de Boys brother, professes to…
As You Like It – Jaques
Jaques is a melancholy lord attending Duke Senior in banishment. Jaques is commonly considered Touchstone’s foil, as he provides commentary on the play’s diverse issues from a completely different perspective. Jaques’s misanthropy, or distaste for humanity, initially casts a dark shadow over the events in Arden forest. Where Duke Senior expresses regret at the killing…