Iambic Tetrameter The poem is written in what is called iambic tetrameter. An iamb is a poetic foot in which an unstressed syllable is followed by a stressed syllable. (A foot, in English poetic meter, consists of two or three syllables, either one strongly stressed syllable and one lightly stressed syllable, or one strong stress…
Tag: Literary Devices
The Wives of the Dead – Imagery – Literary Devices
Romance “The Wives of the Dead” is an American romance. The term “romance” emerged during the Middle Ages and often referred to stories with farfetched plots and exotic settings, involving knights and their quests, and chivalric behavior. In the eighteenth and nineteenth centuries, the term became synonymous with stories emphasizing emotion and subjective experience. Classical…
Winter Dreams by F. Scott Fitzgerald: Literary Devices
Narration fFitzgerald employs a third person omniscient narrator in “Winter Dreams,” but with an innovative twist. The narrator almost becomes a separate persona in the story, as he occasionally steps back from the plot and speaks directly to the reader, giving his critical perspective on the characters or on the action. Fitzgerald borrows this technique…
To Da-Duh, in Memoriam: Literary Devices
Point of View “To Da-duh, in Memoriam” is written from the first-person point of view. The majority of the story is viewed through the child narrator’s eyes. She recalls when she first met Da-duh, her first impression of the sugar cane fields, and the rivalry that exists between the two family members. Hers is the…
That in Aleppo Once by Vladimir Nabokov: Literary Devices
Setting Nabokov presents the narrator’s struggles with his wife against the background of the German occupation of France during World War II. Thus, domestic horror is likened to national horror; the bureaucratic problems the narrator has with the “consuls and commissaires” in obtaining the necessary papers to leave France are likened to the marital problems…
The Replacement by Alain Robbe-Grillet: Literary Devices
Plot Robbe-Grillet constructs a nontraditional plot in “The Replacement.” He interweaves three fragments: the interaction between the teacher and the pupils in the classroom, the schoolboy peering intently at the tree, and the story that is being read aloud in the classroom. Robbe-Grillet continually moves among the three, which disrupts chronology and subverts readers’ understanding…
The Interlopers by Saki: Literary Devices
Point of View “The Interlopers” is written from the third-person omniscient point of view, meaning the narrator sees and knows all. This point of view allows the narrator to present the history of the disputed land, explain how the similar personalities of Georg and Ulrich have brought the feud to a murderous brink, and explain…
I Have No Mouth, and I Must Scream: Literary Devices
Point of View Ellison has provided “I Have No Mouth, and I Must Scream” with a limited, first-person narrator. Thus, all of the events of the story must be filtered through the mind and voice of Ted, one of the humans trapped by the computer AM. Because everything is told from the “I” perspective, the…
How to Tell a True War Story: Literary Devices
Point of View and Narration One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who also carries the name “Tim O’Brien.” Although the narrator remains unnamed in this particular story, other stories in the collection…
The Harvest by Tomas Rivera: Literary Devices
Structure In his introduction to “The Harvest,” Julian Olivares quotes from an unpublished manuscript in which Rivera commented on the construction of a short story: “The conflict or problem of each story is what interests us as a story. The more intriguing the conflict, the more the story will interest the reader.” This, says Rivera,…