Critical interpretation of All’s Well That Ends Well often hinges on whether the critic believes the play lives up to its title. The widespread belief that it does not has led to its reputation as a problem play, or rather, a comedy with strings attached. Shakespeare, who was by all accounts an astute observer of…
Tag: All’s Well That Ends Well
All’s Well That Ends Well – Analysis
Marriage is a central element in the construct of Renaissance comedy. In the Shakespearean canon, a number of the comedies include marriages, placing them (or implying that they impend) close to or at the plays’ ends as a reaffirmation, restoration and promise for the continuation of society. Other comedies deal with married women as in…
Medicine, Healing & Pilgrimages in Shakespeare’s time vis-a-vis All’s Well That Ends Well
In Shakespeare’s time, medicine was little more than trial and error mixed with a great deal of superstition. Little was known about proven treatments, and disease and germs were not understood. Sanitation and hygiene, even among the upper classes, was rudimentary at best. Streets were filled with garbage and raw sewage, which spilled over into…
Traditions of marriage at the time of the writing of All’s Well That Ends Well
In Shakespeare’s time, marriages were usually arranged. A love match was unusual, and even more unusual was a woman choosing her prospective groom. Bertram’s objection to marrying Helena is rooted in these traditions. Because he is a count, he would have expected to marry someone of a similar status, not a commoner with neither wealth…
Literary culture at the time of writing All’s Well That Ends Well
Shakespeare based much of All’s Well That Ends Well on Giovanni Boccaccio’s Decameron, a collection of one hundred novellas wrapped around a frame story. Boccaccio was a Florentine writer of the fourteenth century who wrote in the Italian vernacular, thereby making the Decameron popular among the middle class, as opposed to scholars who shunned anything…
Double Entendre, Aphorisms & New Comedy Elements in Shakespeare’s All’s Well That Ends Well
New Comedy In literature, ‘‘comedy’’ refers to a story with a happy ending and a ‘‘tragedy’’ is a story with a sad ending. The earliest comedies date from fifth century B.C.E. Greece, and that style is known as Old Comedy, which was known for lampooning famous people and events of the day. Beginning in 320…
The theme of Youth versus Experience in Shakespeare’s All’s Well That Ends Well
The bittersweet tone of All’s Well That Ends Well is established by the play’s older characters, especially the Countess of Rossillion and Lafew, both of whom have suffered the loss of loved ones and express their patience with those of the younger generation.The countess sympathizes with Helena’s passion for Bertram, because she was once young…
Interpreting the Abrupt & Surprise Ending in Shakespeare’s All’s Well That Ends Well
The abrupt ending of All’s Well That Ends Well is partly responsible for giving the play its problem status. Does the play end well? If so, for whom? Most modern critics conclude that the ending is unsatisfactory and unconvincing, even though it provides the required comedic resolution whereby the hero and heroine are joined at…
The centrality of Bedtrick, Marriage & Social Class in Shakespeare’s All’s Well That Ends Well
Bed-trick/Marriage The bed-trick in All’s Well That Ends Well pervades much of the commentary on the play and intersects with the discussion of marriage. Commentators tend to focus on whether Helena’s use of the bed-trick is justified and lawful and whether it provides a means for a satisfactory ending to the play. Critics who believe…
All’s Well That Ends Well – Helena Character Analysis
Much of the plot of All’s Well That Ends Well hinges on Helena’s willingness to dismiss the constraints of her traditional, feminine gender role. Because Helena subverts her own prescribed gender role (mainly, that a woman should be demure and not exhibit unprompted sexual interest in a man) in pursuing her heart’s desire, Bertram is…