Shakespeare based much of All’s Well That Ends Well on Giovanni Boccaccio’s Decameron, a collection of one hundred novellas wrapped around a frame story. Boccaccio was a Florentine writer of the fourteenth century who wrote in the Italian vernacular, thereby making the Decameron popular among the middle class, as opposed to scholars who shunned anything…
Double Entendre, Aphorisms & New Comedy Elements in Shakespeare’s All’s Well That Ends Well
New Comedy In literature, ‘‘comedy’’ refers to a story with a happy ending and a ‘‘tragedy’’ is a story with a sad ending. The earliest comedies date from fifth century B.C.E. Greece, and that style is known as Old Comedy, which was known for lampooning famous people and events of the day. Beginning in 320…
The theme of Youth versus Experience in Shakespeare’s All’s Well That Ends Well
The bittersweet tone of All’s Well That Ends Well is established by the play’s older characters, especially the Countess of Rossillion and Lafew, both of whom have suffered the loss of loved ones and express their patience with those of the younger generation.The countess sympathizes with Helena’s passion for Bertram, because she was once young…
Interpreting the Abrupt & Surprise Ending in Shakespeare’s All’s Well That Ends Well
The abrupt ending of All’s Well That Ends Well is partly responsible for giving the play its problem status. Does the play end well? If so, for whom? Most modern critics conclude that the ending is unsatisfactory and unconvincing, even though it provides the required comedic resolution whereby the hero and heroine are joined at…
The centrality of Bedtrick, Marriage & Social Class in Shakespeare’s All’s Well That Ends Well
Bed-trick/Marriage The bed-trick in All’s Well That Ends Well pervades much of the commentary on the play and intersects with the discussion of marriage. Commentators tend to focus on whether Helena’s use of the bed-trick is justified and lawful and whether it provides a means for a satisfactory ending to the play. Critics who believe…
All’s Well That Ends Well – Helena Character Analysis
Much of the plot of All’s Well That Ends Well hinges on Helena’s willingness to dismiss the constraints of her traditional, feminine gender role. Because Helena subverts her own prescribed gender role (mainly, that a woman should be demure and not exhibit unprompted sexual interest in a man) in pursuing her heart’s desire, Bertram is…
Character Analysis of Lavatch, Parolles & Widow Capilet in Shakespeare’s All’s Well That Ends Well
Lavatch Lavatch is a cantankerous, pessimistic clown and servant of the Countess of Rossillion. He provides some comic relief in the play, usually in somewhat lascivious prose that espouses his gloomy world view. He is the lowest character on the totem pole in the play, so unscrupulous that even Parolles calls him a knave. He…
Character Analysis of Duke of Florence, King of France & Lafew in All’s Well That Ends Well
Duke of Florence The Duke of Florence welcomes Bertram and Parolles when they escape Paris to fight the war. He is allied with France in a war against Sienna, another province of what would later become Italy. King of France The King of France represents a dying breed of nobility, one in which honor and…
Character Analysis of Helena in All’s Well That Ends Well
Helena Helena is the daughter of the recently deceased court physician, Gerard de Narbon, from whom she has learned his healing secrets. She has become the ward of the Countess of Rossillion, with whom she has a very maternal relationship, though she has fallen in love with the countess’s son, Bertram. She is disturbed by…
Character Profiles of Countess of Rossillion & Diana in All’s Well That Ends Well
Countess of Rossillion The Countess of Rossillion is Bertram’s mother, and she is still mourning the recent death of her husband. She has also willingly become Helena’s guardian since the young woman’s father, a physician of local renown, has also recently passed away. Kind and generous, the countess exemplifies the best of the noble tradition…