The development of the relationship between Elizabeth Bennett and Fitzwilliam Darcy gives us insights into the psychology of courtship as well as the irrationality associated with romantic love. Their first few social encounters are rather cold, bordering between mutual dislike and indifference. Indeed, the characteristics making the title – pride and prejudice – are both so ingrained in Elizabeth’s mind that she misunderstands Mr. Darcy’s dignified and civilized advances towards her. At halfway in the novel Elizabeth receives a letter from Mr. Darcy, which she misreads the first time. It is only upon reading it again in a calmer frame of mind that she was able to “arrive at a closer estimation of the meaning of its words and the intention of its author. This letter functions not only as a turning point in the progress of events but as the focal point of a theme that is devoted only in part to the ways of courtship and marriage and-for it is important to note the incident Austen picks as her image-far more to the reading of texts.” (Bonaparte, 2005)
It would be easy to presume that Pride and Prejudice is a novel limited to interpretations of manners, mores, customs and interpersonal relationships. In other words, the question of what constitutes the ‘living organism’ of the novel can only be given a satisfactory answer by reading the novel in unconventional ways, through academic disciplines erstwhile thought of as unrelated to its content. Austen was not previously thought of as a novelist concerned with philosophical questions. Even critics like Gilbert Ryle, “who takes her to be a serious moralist and to be interested in the theory as well as the practical end of morality, begins his analysis of her views by stating that she is not a “philosopher”.” (Bonaparte, 2005) But recent research has challenged this ‘prejudice’ of older scholars and has attempted to set it right. For example, read with scrutiny, the work lends itself to philosophic and epistemological analysis. The epistolary nature of the narrative, where most of the communication between characters happens via the letters they write to each other, is an apt choice for Austen to present her philosophic point of view. Based on the discrepancies between what the characters actually write and what they actually mean, the novel offers scope for linguistic and psychological inquiry. Likewise the discrepancies between what receivers of letters read and what they actually understand is content for this line of inquiry. All these special qualities of the work constitute the ‘living organism’. Further,
“Austen is highly philosophical, alert both to ideas in general and to the currents of her time. What is deceptive is that rarely does she present these theoretically. Mostly her conceptual world is so fully dramatized in her characters and her plots that it can only be inferred from the nature of the action and the language of the narrative. But once in a while we do, in fact, find a moment so abstract as to convince us beyond doubt that Austen’s purpose is philosophical.” (Alavi, 2006, P.27)