Ursula Le Guin’s “The Ones Who Walk Away From Omelas” was first published in 1973 in New Dimensions 3 and has been published in many anthologies since. When it appeared for the second time in 1975 as part of her short story collection The Wind’s Twelve Quarters, Le Guin added a two page preface in…
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The Ones Who Walk Away From Omelas – Setting
The Ones Who Walk Away from Omelas was first published in 1973 in New Directions 3. The late 1960s and early 1970s were a time of enormous political, social, and cultural upheaval in the United States, and most likely the events of this period influenced Le Guin’s writing of the story. America’s involvement in the…
The Ones Who Walk Away From Omelas – Literary Devices
The Ones Who Walk Away from Omelas is the story of Omelas, a city where everyone seems to be happy and to live in peace and harmony. Toward the end of the story, however, the narrator reveals that the happiness of Omelas is dependent on the existence of a child who is locked in a…
The Ones Who Walk Away From Omelas – Themes
Ursula K. Le Guin’s classic short story is of a Utopian society whose survival depends on the existence of a child who is locked in a small room and mistreated. Although all of the citizens of Omelas are aware of the child’s situation, most of them accept that their happiness is dependent on the child’s…
The Ones Who Walk Away From Omelas – Characters
The Child The child, whose existence is revealed toward the end of the story, is abused and mistreated so the other citizens of Omelas can live in prosperity and happiness. Locked in a small room or closet with no windows, the child is dirty, naked, and malnourished. It receives only half a bowl of corn…
The Ones Who Walk Away From Omelas – Summary
Ursula K. Le Guin’s classic short story opens as the celebration of the Festival of Summer is getting underway in the city of Omelas. There is an air of genuine excitement about the festival, with its flag-adorned boats, noisy running children, prancing horses, and “great joyous clanging of the bells.” The narrator, who never identifies…