After one collaboration, two volumes of poetry, and a memoir, Garrett Hongo is an established voice in Asian American literature. His postmodern style variously utilizes different techniques, voices, sources, and forms. Hongo is more concerned with exploring and voicing his personal experience and the collective experience of Japanese Americans than he is with adhering closely…
Tag: Poetry
What For by Garrett Kaoru Hongo: Summary
Stanza 1 The speaker of ‘‘What For’’ recalls the things he loved and looked forward to when he was six years old. In the first stanza, he describes his childhood sense of magic: a few Hawaiian words had the power to make it rain and sang through the nautilus like the sound of the sea….
Upon the Burning of Our House – Analysis
Bradstreet’s ‘‘Upon the Burning of Our House, July 10th, 1666’’ swings like a pendulum between Bradstreet’s Puritan beliefs and her deep emotional turmoil regarding the loss of her home. While it is tempting to try to assess whether or not Bradstreet’s sorrow is successfully mitigated or addressed by her faith, such an exercise would not…
Upon the Burning of Our House – Tone – Rhyme Scheme – Literary Devices
Lyric Poetry ‘‘Upon the Burning of Our House’’ is considered a lyric poem. A lyric poem is one in which the poet explores personal feelings and thoughts rather than telling a story. Typically short in length, lyric poems do not necessarily adhere to any formal structure. Modern lyric poems may be written in unmetered, unrhymed…
Upon the Burning of Our House: Themes
Loss Bradstreet’s ‘‘Upon the Burning of Our House’’ is concerned primarily with the poet’s great sense of loss, along with her attempt to mediate this pain through her faith in God. Throughout the middle third of the poem, Bradstreet offers an emotional itemization of her material losses and suggests the psychological toll such losses have…
Upon the Burning of Our House: Summary
Lines 1–6 Bradstreet’s ‘‘Upon the Burning of Our House, July 10th, 1666’’ is not formally broken into stanzas. (A stanza is a unit of poetry, or a grouping of lines that divides the poem in the same way that a paragraph divides prose. Bradstreet’s poem appears on the page as a fifty-four-line poem without any…
Two Eclipses by Shmuel Hanagid: Analysis
The version of ‘‘Two Eclipses’’ reproduced here is a modern English translation of a poem written by a Spaniard in Hebrew a millennium ago. Any translator of such a poem has to make a number of decisions and compromises in making it accessible to a modern reader while retaining essential qualities of the original. One…
Two Eclipses by Shmuel Hanagid: Summary
Lines 1–15 The speaker in ‘‘Two Eclipses’’ begins by addressing an unseen friend who appears to still be sleeping in the morning. He urges the friend to wake up, to wake up the dawn, and to look at the sky, which has the mottled appearance of the skin of a leopard. He notes that the…
Sympathy by Paul Lawrence Dunbar: Analysis
Dunbar was often called the Negro Poet Laureate at the beginning of the twentieth century, but by the 1950s he was seen as an embarrassment to many readers because his dialect poems called up plantation stereotypes of African Americans. In his day, white readers embraced his dialect poems (‘‘The Party,’’‘‘When Malindy Sings’’) as the authentic…
Sympathy by Paul Lawrence Dunbar – Themes
Racism The central metaphor of the caged bird in ‘‘Sympathy,’’ with the bird forced to perform within confinement, could be taken as suggesting the slavery African Americans endured in the United States for two and a half centuries. Though Dunbar lived after the emancipation, the legacy of slavery continued through various social, legal, and psychological…