Tag: Film Noir Reader


Notes on Film Noir (1972) by Paul Schrader

The author begins by acknowledging the difficulties in defining film noir. Contrasting it with other established genres like horror or western, Schrader reckons that the differentiating quality of film noir is its subtle yet dark tone and mood. More than qualities inherent to the film, its periodic setting and its production in the forties and early fifties are better markers of the genre. There were four key socio-political conditions during this period which were instrumental in the birth of film noir. The first was war and post-war disillusionment. The second was the gaining popularity of post-war realism. Thirdly the German influence on Hollywood was getting traction. Finally, the growing prominence of “hard-boiled” school of writers within mainstream cinema. What also distinguishes film noir is its stylistic elements and themes. In terms of style, the dominant night scenes, elements of German expressionism, lighting emphasis on both characters and props, as well as the . . . Read More

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